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Christine Duan

Middle School CLA Teacher, Personal Coach for G12 Learners

Double bachelor's degree from the University of International Relations and a master's degree in Educational Leadership and Management from the University of Warwick.

Served as a teacher in the middle school project of the Teach For China program in Yunnan for 2 years, and also worked in an international school as a primary school homeroom teacher, subject teacher, and tutor of the Global Scholars program, etc.

Since joining MSA, she has served as the person in charge of moral education and library projects and participated in the research, development, and teaching of high school English & Chinese Liberal arts courses and middle school Chinese courses. And also been one of the leaders in the research and development of student development guidance courses, the coordinator of the interdisciplinary drama project, and the Lecturer of the Teacher Development Workshop on the Design of Performance Assessment Tasks for Drama Education in Chinese Liberal Arts course.

Currently, she is a middle school Chinese teacher in the Department of Chinese Studies at MSA & the personal coach for 12th-grade learners.

Adhering to the spirit of humanistic literacy of the department, which emphasizes that "literature is the vehicle of ideas. One should always observe carefully and reflect on things", we are dedicated to supporting each learner continuously developing their humanistic literacy through reading and writing, and enhancing their cultural confidence and cultural identity.

Coaching others is a journey of encountering oneself.

She is interested in drama education and interdisciplinary learning, design of performance assessment tasks, Whole Book Reading Project Design, and also interested in films, television, and music.


I have always been committed to building a better "trial and error" platform for all learners and developing courses that allow all learners to learn by doing, thus helping them continuously grow into "individuals with rich inner worlds and proactive citizens".

—— Christine Duan

Projects1

One more adversity

Disciplines/Subjects: Chinese language Arts Key Themes: Chinese classical novels, whole-book reading, textual analysis, creative writing Journey to the West, a famous work of Chinese classical literature, has a wide spread. It has been adapted into movies, TV series, video games and even theme parks on many occasions. This is a very interesting book. Mr. Lu Xun called it a "god - demon novel", and Mr. Lin Geng regarded it as a "work of childlike innocence". It is one of the most imaginative works in Chinese classical literature. The novel revolves around the main plot of Tang Seng, Sun Wukong, Zhu Bajie and Sha Seng, a master-discipline team, going on a pilgrimage to Western Heaven to obtain Buddhist scriptures. It tells many stories of subduing demons and monsters, with twists and turns, exciting and fascinating plots. The whole book is excellent at character - building. Whether it is the main characters of the pilgrimage team or the secondary characters such as various gods, Buddhas, demons and monsters, they are all vividly portrayed, with distinct personalities and unforgettable images. The ideology of the novel is rather complex, involving Confucianism, Buddhism and Taoism. Later generations have diverse interpretations of its theme. Putting aside the religious cloak of the novel, for today's students, this novel may be more like an inspiring story of forging ahead through difficulties for an ideal. In society, some people regard it as a dark fairytale about workplace struggles, some see it as a cultivation guidebook, and some take it as a source of materials for remaking the IP... There are many secondary or even multiple creations that deviate from the original text, resulting in a thousand different pilgrimage stories in the eyes of a thousand readers. In this task, learners will first act as readers, closely and intensively read the original story of Journey to the West. Find their favorite episode from the novel and analyze its plot structure pattern, including how it starts, how it ends, the origin of the monster, and how the team overcomes difficulties. Using the text analysis methods learned in class, analyze this story from five dimensions: theme, structure, word choice, the author's point of view, and the development of the story. Then, as a sequel - writing or rewriting author, give full play to their imagination and create a new story on the pilgrimage journey. Based on understanding the "story routines" of the original work, create one more adversity for the pilgrimage team besides the eighty-one difficulties, achieving the effect of "being almost indistinguishable from the original". Invite readers who are acquaintances of Journey to the West to read it and see if they can sporify whether it is written by you or if it's the original work written by Mr. Wu Chengen. In addition, learners with spare capacity can, on the basis of completing the rewriting or sequel - writing, work further as screenwriters, adapt it into a script, then recruit and form a drama crew, and stage the "one - more - adversity" drama story they created on the stage of the New Year's Gala.